Writings

'Three Questions: A Short Position Statement on Compositional Making' part of 'Sound Substance(s): Practice-based understandings of Compositional Making' session, Royal Musicological Association Annual Conference, University of Liverpool, Liverpool, UK, 7-9 September 2017

'Queered Orientation(s): Re-imagining the taxonomy and interrelation of musical materials in The Velvet Rage (2017)' MuSA 2017: Eighth International Symposium on Music and Sonic Art: Practices and Theories, Institut für Musicology and Musikwissenschaft und Musikinformatik, Hochschule für Musik, Karlsruhe, Germany, 6 – 9 July 2017.

'Composing Intra-actions: Instrument(s) as Baradian apparatus.' MuSA 2016 Seventh International Symposium on Music and Sonic Art: Practices and Theories, Hochschule für Musik, Karlsruhe, Germany. 30 June – 3 July 2016.

'The Fantastic, the real and the hybrid: towards a practice of material ontology in my recent creative work' In Theories and Practices of Contemporary Music and Sonic Art. Edited by Mine Dogantan Dack. Newcastle: Cambridge Scholars Press, 2015. [Author's perusal version]

The Churches of Lalibela: erosion and encrustation as transformative musical processes. Doctoral thesis, University of Huddersfield.

‘Invoking the interface of the fantastic: Todorov, music and composition.’ Fourth Annual Symposium on Music/Sonic Art: Practices and Theories. Karlsruhe, Germany (24-26 May 2013)

'Introducing ‘Re-coupling’:  The Compositional Appropriation of Instrumental Physicality to disrupt Pattern-based Musical Materials" Athens: ATINER'S Conference Paper Series, No: ART2013-0451.

'The Instrumentas a Roughened  Canvas:  Embracing Timbral Indeterminacy in Composition and Performance' Athens: ATINER'S Conference Paper Series, No:  ART2013-0450.